three poems ______________________




you can view more of these in my aug 14, sept 15, and sept 30 blog posts. you can also watch a video of me reading 15 of them

10 poems like this are coming out in pop serial 2, which i also designed the cover for

happy halloween everybody. i am being an elephant for halloween

notes on 'long love poem with descriptive title' by matthew savoca


you’re so ornery in this picture, you said 
stop yelling at me, i said

long love poem with descriptive title by matthew savoca is out on scrambler books since last month. i don't know how many pages it has

there are extra spaces between some lines but no separate poems. there are pencil drawings of nonhuman animals and a lamp, computer-made drawings of plants, and other drawings

owls are my favorite winged creature

the book has a lot of scenes of two people in a relationship being bored in a hot apartment and not doing a lot

i don’t think we even like each other anymore
the way we don’t really like ourselves anymore

i first found matthew savoca on the pop serial tumblr and i read his ebook i am being honest. i liked it a lot for the warm simple tone in it, especially in the opening poems. long love poem with descriptive title has a similar warm tone in parts

i am going to go cut fruit and put it into a bowl for you

there is also a more clever/ironically mechanical tone that reminds me of cognitive-behavior therapy by tao lin. i was interested about how this voice combines with the warm tone, although i liked the warm tone more

here are the first sentences of long love poem with descriptive title: ‘large eyes and visible cheekbones // are what make you beautiful // i know this abstractly // and feel it distinctly’

here are the first sentences of cognitive-behavioral therapy: ‘seen from a great enough distance i cannot be seen / i feel this as an extremely distinct sensation / of feeling like shit’

          it is not the number of life affirming experiences that you have
          but the moments that take your breath away that count

there is a spoiler for an episode of lost in the book

his author pic is cropped to look a little like a polaroid, and his bio says he doesn't eat animals

here is matthew savoca’s website; his twitter; the scrambler books page for long love poem with descriptive title

i am like october when i am dead: chapbook release

my chapbook is now posted at http://iamlikeoctoberwheniamdead.com/

on the website, you can read the full text, view 'bonus features' including deleted scenes and commentary, and get information on helping me distribute and promote it

[updated november 29th] i have distributed about 680 print copies. i have about 60 more soon to be mailed. i'm still looking for more people who want to review it or spread 5-20 copies in their area. please let me know if you want to help: steveroggenbuck [at] gmail [dot] com. i have added a "donate" button if you want to help with printing or shipping costs

an interview is up with marshall mallicoat

reviews are up from it's nice thatbrett gallagher, jake fournier, curt busch, poncho peligroso, derek piotr, morgan myers, jake teitelbaum, liam adams, chas holden, bilby p. dalgyte, nick hadfield, lucas ruppel, alexis carek, zachary german, zachary whalen, beach sloth, carina santos

mentions/links by celebrities ron silliman and john campbell

pictures of people with it tracy meg poncho poncho and bill somebody phillip rex huddleston somebody alexis carek zachary german carina santos

video of people reading some of the poems richard wehrenberg jr., richard chiem and ana c.

thank you friends for keeping up with my writing and helping spread my chapbook. i really appreciate it a lot

click here to visit my chapbook's website

publishing literature into the public domain

hello friends. i have called myself a poet, but my main goal is to make things i like and share them with other people. whenever the standard practice of poets and that goal are in conflict, i try to acknowledge my own goal rather than the usual way of poets

i am publishing a chapbook next week. some people will judge me for self-publishing, or they will assume my chapbook wasn’t good enough to find a publisher. but my decision to self-publish is connected to a decision i made more than a year ago to publish all my writing and art into the public domain

if a person’s main goal is to share their art with other people, i feel copyright may be counterproductive. if taken seriously it actually restricts others from sharing your work, making it illegal to publicly share poems and images

there are bloggers and computer programmers who have published without copyright for a while. the vegan video i finished this summer was explicitly uncopyrighted, as well as l.o.v.e.’s vegan blog. but i haven’t heard about many literary writers, even radical/anarchist poets, doing this

maybe an explicit ‘uncopyright’ has seemed unnecessary because poetry doesn’t sell a lot anyway. but i think it makes a difference. most of my favorite contemporary poetry is not available for free online. i had to pay money to find and read most of my favorite contemporary poetry

for me, requiring people to pay money to access my poetry and art is against my goals and values. if i fall into that practice of withholding my writing, then i am letting the usual way of poets and our economy interfere with what i really want to do

there are some other options i have read about like creative commons and copyleft, but i have thought about it for a long time, and i believe in the public domain. i don’t want to protect my art work from anything; i just want to share it

i plan on publishing full-length print books in the future, probably with a publisher, but i will always put the full text online for free or optional donation, and it will always be in the public domain. this also applies to my blog

i want to encourage you to use my writing and art however you want. it is just here for you to enjoy it. you can post my poems on your blog and upload my art to your facebook. you can print or republish my writing wherever you like, with or without credit. you can modify it, then publish it. you can sell it under your own name

i love you

thank you very much


related posts /

+ selling art: commodification of art + donation-based income from art
+ self-publishing a poetry chapbook and distributing it for free
+ doctrine on internet poetry
+ internet poetry and self-publishing

submitting to literary journals

hello friends, some people who read this blog have told me they are interested in submitting poetry or fiction to literary journals and would be interested in my advice

here is my history with submitting to literary journals: since 2006, i have sent 91 submissions to literary journals. i have been accepted 30 times by 21 journals, rejected over 50 times, currently pending on a few. the first places i got accepted were my school’s literary journals and a really low press-run place that i think accepted everybody. in late 2007 i got accepted at moria, in 2008 i got accepted at blazevox and barnwood, and then in late 2009 i got published in around 10 places, and around 10 more so far in 2010

reasons to submit or not submit to literary journals

my primary goal with publishing is to share my writing with other people. other writers may have different goals like getting credentials for their teaching career, having an impressive byline, making money, or something else. if your goals are different from mine, probably not all of my conclusions will apply to you

some people say no one actually reads literary journals and they only exist to give people publishing credits in academia. i think that is half true. most people do not read journals all the way through unless they really love and trust the specific journal. but i have found some of my favorite contemporary writers in literary journals (tao lin, andrew topel, brandon downing, sam pink), so i have a little belief in them

one thing about submitting to literary journals is that you have to wait before sharing your writing with people. if i write a poem and want to share it, i could blog it immediately. but publishing through a literary journal takes months, sometimes a year. (if you’ve posted a poem on your blog, a lot of literary journals will consider it previously published and won’t accept it)

i submit to literary journals because i think it will help me share my writing with more people who are interested in my kind of writing, but i am not fiercely confident about it. i do not rely only on literary journals to share my writing with people. below, i will explain a reason why i don’t submit all my poems to literary journals anymore

finding literary journals you like

there are a lot of literary journals. newpages has a very big list of them. there are print journals and online journals, and journals that are both. one of my friends suggested submitting to online journals because more people can access it for free; they don’t need to subscribe to a print journal. other people think print journals are more credible (if you want credentials). i do feel more satisfied when i see/hold my writing in a print journal. one time i got to see my poem in barnes and noble, via columbia poetry review (a print journal), and that felt cool also

i have used a variety of tactics to find literary journals. in 2007-08, i visited every literary journal on a newpages list of online journals and wrote down my opinion of them. i don’t recommend this method because it takes a long time and it’s very scattered. also, i don’t even consult that list of opinions anymore because my taste has changed multiple times since then

in december 2008 and january 2009, i went through all of poet’s market, a huge book, with a pen and highlighter. because i was writing political poetry and nature poetry at the time, i marked all the journals that asked for those themes, also marking payment and names i recognized. i don’t recommend this approach. it takes a long time, and when i looked up most of these journals online, i usually didn’t actually like what they published. also, as with the huge list from newpages, i haven’t even consulted that copy of poet’s market because my writing has changed since then. so it’s a lot of time invested in something that may not last you very long

in mid-late 2009 when i was writing very fragmented poems and cut-up visual poems, i found a number of journals i liked from the ‘links’ page at word for/ word, an experimental poetry journal. some other journals have ‘links’ pages, too. i recommend this approach if you can find a journal you like with a ‘links’ page. a lot of contemporary poets also have sidebars on their blogs with links to literary journals they like

in 2010 my tactic for finding literary journals has been looking where my favorite contemporary writers have published. if you look in the front or back of most poetry collections, for example, there is a list of where the poems were first published. you can also search the writer’s name online. recently, because i have been reading a lot of contemporary poetry, i recognize a lot more names and i can more quickly assess a journal’s general styles from the contributor list. i recommend this approach. it seems practical and quicker than other methods

in 2010 i’ve tried to submit to some ‘bigger’ journals, relatively speaking... for a while i only submitted to journals that have published some of my favorite writers. but lately i have also been submitting to ‘smaller’ journals if i like them. i think i have been taking literary journal submitting less seriously in general. the most important ‘principle’ for selecting journals is probably to find places you like

here are some journals i’ve been accepted by alba, blazevox, columbia poetry review, cricket online review, drupe fruits, elimae, hot metal bridge, moria, nthposition, prick of the spindle, the red ceilings, right hand pointing, sawbuck, word for/ word, and others

here are some journals i want to be accepted by action yes, alice blue, coconut, court green, eleven eleven, fence, filling station, harp & altar, h_ngm_n, the hat, isreads, jubilat, konundrum engine lit review, la petite zine, lit magazine, no tell motel, notnostrums, octopus, past simple, poetry, saltgrass, the scrambler, shampoo, verse magazine, we are champion, west wind review, and others

blog hits from getting in literary journals

some journals may provide blog hits, but none of the places i’ve been published have given me a lot of traffic. occasionally people google my name to arrive at my blog, and i wonder if they read my poems in a literary journal. other than that, most of my publications only result in 5-20 blog visitors each. twittering, facebooking, and getting linked for my reviews have given me more hits

simultaneous submissions

one of the tactics that resulted in my increased acceptance rate in late 2009 was that i started submitting batches of poems to 4-5 different journals at once. usually, out of 5 places, my poems get taken somewhere. this is in contrast to sending a group of poems to one place, waiting a few months, getting rejected, sending them to another place, waiting a few months, and so on

i recommend simultaneously submitting if the journals allow it. the only reason i can think of to not simultaneously submit is if you really want to publish a specific thing in a specific journal. then you’d want to only send to them, and maybe try others if you get rejected

keeping track of submissions

if you submit things to multiple journals at once, you may want a record of it so you can tell the other journals if you get accepted. my system for this is not very good. i have three documents; in one, i mark the individual submissions; in another, i sort by poem and write what has happened with each poem; and in a third, i sort by each literary journal and mark my history with each one. this is like doing the work of microsoft access manually, i think... you don't really need to sort all three ways. it might be better to make one list and use the 'find' command to look up specific poems/journals/submissions

cover letters

for my cover letters/emails, i use standard capitalization and punctuation, address the editors by their names, briefly compliment the journal (usually if i am submitting, i like the journal), mention the number of poems attached or ‘pasted below’ and if they’ve been submitted elsewhere, then a short bio in case they need it, then say ‘thank you’ and sign off with my name and email. i haven’t copied this down into a template, but it is essentially a template. the submission can speak for itself, so i don’t say much about it unless they ask

cash money

i have made $150 from publishing poetry in literary journals. when i got published in barnwood, i got $25 for each poem. i also got $100 for winning 'best poetry' in an issue of my school's literary journal. there are a lot of journals that pay at least a little bit ($10-50), but most of them don't seem to publish the styles of writing that i like

publishing the same thing at multiple literary journals

almost all literary journals want to be the first place to publish something, but some places accept ‘previously published’ writing. usually these journals aren’t very ‘respected.' if they seem like a cool journal, it seems ok to submit to them anyway. i haven’t done this much because almost all the journals i like want unpublished writing

blogging vs publishing in literary journals

something i realized recently is that posting some of my poems on my blog may actually be more effective for my goals compared to submitting them all to literary journals and then linking to them. i want to have a blog that is worth revisiting regularly. my image poems seem very liked on my blog, resulting in more comments and excitement than most other posts. so i don’t think it is a ‘waste’ to publish some of them for the first time on my blog. (another idea is to publish poems in a literary journal and later post them on your blog. almost always, you have the rights to republish your poem anywhere as long as the journal gets to be the first place)

ok, if you have other questions about my experiences with submitting to literary journals, i will try to answer them in the comments or another blog post

if you like my blog, please considering following or remembering to come back

thank you very much

notes on 'wild life rifle fire' by paul siegell

wild life rifle fire by paul siegell is out from otolith earlier this year. it is a book of concrete poems in large-sized bold helvetica, black on white

a lot of the poems contain puns by breaking words into two or three lines. this combined with the visual emphasis in general reminded me a little of e.e. cummings

a lot of nonstandard characters/letters are used, with tails and accent marks, and there is a lot of fluctuation between underline, italics, uppercase, and lowercase. i think this gives the poems a more lively/active feel compared to my grid-set uppercase poems, for example

there is a poem that says 'RAIN' at the top and has a page full of letters and punctuation that looks a little like rain. i am not sure, but this may be an allusion to past concrete poets. there is a poem by seiichi nikuni in poems for the millennium volume 2 that has the word 'rain' and a lot of punctuation filling the page

there is also a fourteen line poem that includes the word 'sonnet' enjambed

from reading and viewing wild life rifle fire, i feel paul siegell is probably a cool person who says witty things and mostly has a good time

here is a youtube trailer of the book

here is paul siegell's blog, where you can currently get a signed copy of this book for $6